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MILLS MUSIC TRUST - Quarter Report: 2009 September (Form 10-Q)

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SECURITIES AND EXCHANGE COMMISSION
Washington, D.C. 20549
FORM 10-Q
(Mark One)
     
þ   QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934
For the quarterly period ended September 30, 2009
OR
     
o   TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934
For the transition period from                      to                     
Commission file Number — 2-22997
MILLS MUSIC TRUST
 
(Exact name of registrant as specified in its charter)
     
New York   13-6183792
 
(State or other jurisdiction of
incorporation or organization)
  (I.R.S. Employer
Identification No.)
C/O HSBC Bank USA, N/A Corporate Trust Issuer Services, 452 Fifth Avenue, New York, New York 10018-2706
         
(Address of principal executive offices)
  (ZIP Code)
(Registrant’s telephone number, including area code   (212) 525-1349
Indicate by check-mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
YES þ      NO o
Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer, or a smaller reporting company. See the definition of “large accelerated filer,” “accelerated filer” and “smaller reporting company” in Rule 12b-2 of the Exchange Act.
Large accelerated filer o   Accelerated filer o  Non-accelerated filer o  Smaller reporting company þ
        (Do not check if a smaller reporting company)    
Indicate by check mark whether the registrant is a shell company (As defined in rule 12b-2 of the Exchange Act). YES o      NO þ
The number of the Registrant’s Trust Units outstanding as of September 30, 2009 was 277,712.
 
 

 


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TABLE OF CONTENTS

PART I — FINANCIAL STATEMENTS
Item 1. Financial Information
Item 2. Management’s Discussion and Analysis of Results of Operations
Item 3. Quantitative and Quantitative Disclosures About Market Risk
Item 4T. Controls and Procedures
PART II — OTHER INFORMATION
Item 6 Exhibits and Reports on Form 8-K
SIGNATURES
EX-31.1
EX-31.2
EX-32.1
EX-32.2


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PART I — FINANCIAL STATEMENTS
  Item 1. Financial Information
MILLS MUSIC TRUST
STATEMENTS OF CASH RECEIPTS AND DISBURSEMENTS
THREE AND NINE MONTHS ENDED SEPTEMBER 30, 2009 AND 2008
(UNAUDITED)
                                 
    Three Months Ended     Nine Months Ended  
    September 30     September 30  
    2009     2008     2009     2008  
Receipts:
                               
From EMI
  $ 236,815     $ 263,394     $ 751,622     $ 831,865  
 
                               
Undistributed cash at beginning of the period
    88       4,417       88       4,422  
 
                               
Disbursements- administrative expenses *
    (7,792 )     (61,540 )     (59,599 )     (178,552 )
 
                       
 
                               
Balance available for distribution
  $ 229,111     $ 206,291       692,111       657,735  
 
                               
Cash distribution to unit holders
    229,029       206,229       692,029       657,673  
 
                       
 
                               
Undistributed cash at end of the period
  $ 82     $ 62     $ 82     $ 62  
 
                       
 
                               
Cash distribution per unit (based on 277,712 units outstanding)
  $ .82     $ .74     $ 2.49     $ 2.37  
 
                       
 
*   In June 2008 and December 2007, $4,375 of Trustee and transfer agent fees for each period, scheduled to be paid, were not paid due to clerical errors. These fees were paid in July 2008 and February 2008, respectively.

 


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MILLS MUSIC TRUST
NOTES TO STATEMENTS OF CASH RECEIPTS AND DISBURSEMENTS
THREE AND NINE MONTHS ENDED SEPTEMBER 30, 2009 AND 2008
(UNAUDITED)
NOTE 1. ACCOUNTING POLICIES AND GENERAL INFORMATION
     Mills Music Trust (“the Trust”) was created in 1964 for the purpose of acquiring the rights to receive payment of a deferred contingent purchase price contract obligation, relating to certain copyright materials. The amounts are currently payable by EMI (the current owner and administrative entity for the copyrighted materials.) The contingent payments are determined quarterly and are based on a formula which takes into account gross royalty income paid to composers, authors and others, and less amounts deducted by EMI in accordance with contract terms.
     Payments from EMI to the Trust are made in March, June, September, and December, and include net royalty income received during the preceding calendar quarter. The payments received are accounted for on a cash basis, as are expenses. The Declaration of Trust requires the distribution of all funds received by the Trust to the Unit holders after payment of expenses.
     The statements of cash receipts and disbursements reflect only cash transactions and do not include transactions that would be recorded in financial statements presented on the accrual basis of accounting, as contemplated by accounting principles generally accepted in the United States of America.
     The trust has considered subsequent events occurring through December 1, 2009 in the preparation of its financial statements.
NOTE 2. FEDERAL INCOME TAXES
     No provision for income taxes has been made since the liability therefore is that of the unit holders and not the Trust.
NOTE 3. RELATED PARTY TRANSACTIONS
The Declaration of Trust provides that each trustee shall receive annual compensation of $2,500 per year for services as trustee, provided that such aggregate compensation to the trustees as a group may not exceed 3% of the monies received by the Trust in any year, and reimbursement for expenses reasonably incurred in the performance of their duties. The Declaration of Trust further provides for reimbursement to the corporate trustee for its clerical and administrative services to the Trust. Accordingly, HSBC Bank USA, the corporate trustee, also receives reimbursement for such services (including services performed as Registrar and Transfer Agent of the Certificates representing Units).
The Declaration of Trust also provides, that if in the future any trustee performs unusual or extraordinary services, reasonable compensation for such services shall be paid, subject to certain limitations and to prior confirmation by a majority in interest of Trust Certificate holders.

 


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MILLS MUSIC TRUST
NOTES TO STATEMENTS OF CASH RECEIPTS AND DISBURSEMENTS
THREE AND NINE MONTHS ENDED SEPTEMBER 30, 2009 AND 2008
(CONTINUED)
(UNAUDITED)
NOTE 3. RELATED PARTY TRANSACTIONS (Continued)
Disbursements to related parties were made as follows for the three and nine months ended September 30, 2009 and 2008:
                                 
    Three Months Ended   Nine Months Ended
    September 30,   September 30,
    2009   2008   2009   2008
HSBC Bank USA:
                               
Trustee Fees
  $ 625     $ 625     $ 1,875     $ 1,875  
 
                               
Transfer agent and registrar
    3,750       3,750       11,250       11,250  
     In June 2008 and December 2007, $4,375 of Trustee and transfer agent fees for each period, scheduled to be paid, were not paid due to clerical errors. These fees were paid in July 2008 and February 2008, respectively.
NOTE 4. ROYALTIES
     A listing received in 2009 from EMI (the current owner and administrative entity for the copyright materials) of the top 50 money earning songs for the year 2008, of the subject copyrighted songs, with the original copyright dates shown, indicates that the copyright dates range from 1922 to 1960. The listing indicates that the copyright of one song has expired and is in “public domain”. The gross royalties EMI received for this song aggregated less than 2% of the gross income of the top 50 earning songs. EMI continues to administer this song for the copyright owner.
     No copyrights, other than as described below, of the balance of the top 50 songs will reach the 95-year expiration within the next five years. However, in 2010 EMI will lose the U.S. rights to one song, amounting to approximately 1% of the gross income of the top 50 earning songs, but will continue to administer this song on behalf of the copyright owner.
     Seven of the top 50 songs account for approximately 65% of the earnings attributable to the 50 songs. The earliest expiration of the copyrights for these seven songs is 2024.
     The Trust cannot determine EMI’s ability to secure renewals of the copyrighted material; however, under the trust agreement, EMI must use its best efforts to do so.

 


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MILLS MUSIC TRUST
NOTES TO STATEMENTS OF CASH RECEIPTS AND DISBURSEMENTS
THREE AND NINE MONTHS ENDED SEPTEMBER 30, 2009 AND 2008
(CONTINUED)
(UNAUDITED)
NOTE 4. ROYALTIES (Continued)
     EMI and the Trust agreed to continue efforts to settle disputes arising from deductions taken by EMI in connection with royalty payments to the Trust in prior years, without any litigation.
     In furtherance of those efforts, on October 4, 2007, EMI and the Trust executed a Tolling Agreement. Pursuant to the Tolling Agreement, the parties agreed to suspend recognition of the passage of time for purposes of any relevant statue of limitations defenses to claims under the agreement governing the payment of royalties and not to commence litigation while the Tolling Agreement is in force. The Tolling Agreement, which was scheduled to initially expire on April 1, 2008, has been extended by mutual written consent through December 22, 2009.

 


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     PART I – FINANCIAL STATEMENTS
Item 2. Management’s Discussion and Analysis of Results of Operations
     The Trust’s receipts are derived principally from copyrights established prior to 1964 and such receipts fluctuate based upon public interest in the “nostalgia” appeal of older copyrighted songs.
     The Trust’s contingent fee income over the last three years has averaged approximately $1,151,000 per year. In addition to the above, there are a number of factors which create uncertainties with respect to the ability of the Trust to continue to generate that level of income on a continuing, long-term basis. Those factors include the effect that foreign and domestic copyright laws and any changes therein have or will have on both licensing fees and renewal rights ultimately, copyright expirations under such laws and the effect of electronic copying of materials without permission.
     In 1976, the copyright law was changed for works that were within renewal terms between December 31, 1976 and December 31, 1978 to add an extension of 19 years to the 28-year renewal term. The original copyright term is 28 years. That amendment made the copyright term 75 years. The Copyright Act of 1976 provided for a single term of life plus 70 years after author’s death (with some variations in different circumstances) for works created after January 1, 1978. The 1976 act provided that the writer and his heirs could terminate a transfer or license of the renewal copyright that was executed before 1978, so long as the termination was effected in a five-year period following the end of the initial 56-year period.
     The copyright laws were modified by the Sonny Bono 1998 Copyright Term Extension Act (the “Act”), which generally provided an additional 20 years of copyright protection. For works created by identified natural persons the term now lasts from creation until 70 years after the author’s death. For anonymous works, pseudonymous works, and works made for hire, the term is 95 years from publication or 120 years from creation whichever expires first. For works published before 1978 with existing copyrights as of the effective date of the Act, the Act extends the term to 95 years from publication. In January 2003, the U.S. Supreme Court upheld the constitutionality of the Act in the Eldred v. Ashcroft decision, which affirmed a 2001 decision of the U.S. Court of Appeals for the District of Columbia Circuit.
     The copyright laws provide that renewals vest in any person who is entitled under the rules of statutory succession to the renewal and extension of the copyright at the time the application to renew is made. If no renewal is made, renewals vest in any person entitled under the rules of statutory extension as of the last day of the original term of copyright to the renewal and extension of copyright. The writer (and not the publisher to whom the copyright was originally assigned) owns the renewal right. The laws name specified classes of persons (the writer’s wife, his children, etc.) who will succeed to the renewal right if the writer dies before the end of the original term. The Act does not distinguish between composers and lyricists. However, if the composer and lyricist are not the same, each owns a portion of the renewal rights. The composer and the lyricist may, assign their respective interests in the renewal rights to a publisher at the time of the

 


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assignment of the original copyright term. Such an assignment of the renewal term is effective, however, only if the assignor survives the original term. If he does not, his heirs will succeed to his share of the renewal rights; and, in such event, these heirs are not obligated by the assignment of the rights to the publisher to whom the original assignment was made unless they joined in the assignment. In addition, the 1998 Copyright Extension Act allows writers (or their heirs) to elect, after either a 35 or 40-year period as specified in the statute, to terminate a transfer of license or renewal within five years of the expiration.
     A listing received in 2009 from EMI (the current owner and administrative entity for the copyright materials) of the top 50 money earning songs for the year 2008, of the subject copyrighted songs, with the original copyright dates shown, indicates that the copyright dates range from 1922 to 1960. The listing indicates that the copyright of one song has expired and is in “public domain”. The gross royalties EMI received for this song aggregated less than 2% of the gross income of the top 50 earning songs. EMI continues to administer this song for the copyright owner.
     No copyrights, other than as described below, of the balance of the top 50 songs will reach the 95-year expiration within the next five years. However, in 2010 EMI will lose the U.S. rights to one song, amounting to approximately 1% of the gross income of the top 50 earning songs, but will continue to administer this song on behalf of the copyright owner.
     Seven of the top 50 songs account for approximately 65% of the earnings attributable to the 50 songs. The earliest expiration of the copyrights for these seven songs is 2024.
     The Trust cannot determine EMI’s ability to secure renewals of the copyrighted material; however, under the trust agreement, EMI must use its best efforts to do so.
     EMI and the Trust agreed to continue efforts to settle disputes arising from deductions taken by EMI in connection with royalty payments to the Trust in prior years, without any litigation.
     In furtherance of those efforts, on October 4, 2007, EMI and the Trust executed a Tolling Agreement. Pursuant to the Tolling Agreement, the parties agreed to suspend recognition of the passage of time for purposes of any relevant statue of limitations defenses to claims under the agreement governing the payment of royalties and not to commence litigation while the Tolling Agreement is in force. The Tolling Agreement, which was scheduled to initially expire on April 1, 2008, has been extended by mutual written consent through December 22, 2009.         .

 


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Item 3.   Quantitative and Quantitative Disclosures About Market Risk.
     Not applicable.
Item 4T   Controls and Procedures
          As of the end of the period covered by this Quarterly Report, the Trust carried out an evaluation of the effectiveness of the design and operation of the Trust’s “disclosure controls and procedures” (as defined in Rules 13a-15 (e) and 15d-15 (e) of the Securities and Exchange Act of 1934, as amended) under the supervision and with the participation of the Trust’s management, including the chief financial individual providing accounting services and the trust officer of the corporate trustee. Based on that evaluation, the chief financial individual providing accounting services and the trust officer of the corporate trustee concluded that the Trust’s disclosure controls and procedures are effective.
     Disclosure controls and procedures are controls and other procedures that are designed to ensure that information required to be disclosed in the Trust’s reports filed or submitted under the Exchange Act are recorded, processed, summarized and reported, within the time periods specified in the SEC’s rules and forms. Disclosure controls and procedures include, without limitation, controls and procedures designed to ensure that information required to be disclosed in the Trust’s reports filed under the Exchange Act is accumulated and communicated to Trust’s management, including the chief financial individual providing accounting services and the trust officer of the corporate trustee, to allow timely decisions regarding required disclosure.
          There were no changes in the Trust’s internal control over financial reporting (as such term is defined in R 13a-15(f) and 15d-15(f) under the Securities Exchange Act of 1934, as amended)during the fiscal period covered by this Quarterly Report that have materially affected, or are reasonably likely to materially affect, the Trust’s control over financial reporting.

 


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PART II — OTHER INFORMATION
Items 1 through 5, inclusive, are not applicable.
Item 6 Exhibits and Reports on Form 8-K
     (a) Documents Filed As Part of This Report
     
Exhibit No.   Description
31.1
  Certification of the chief financial individual providing accounting services (filed herewith)
 
   
31.2
  Certification of the trust officer of the corporate trustee (filed herewith)
 
   
32.1
  Certification of Chief financial individual providing
 
   
32.2
  accounting services pursuant to 18 U.S.C. § 1350 (furnished herewith)* Certification of trust officer for the corporate trustee pursuant to 18 U.S.C. §1350 (furnished herewith)*
 
*   The information furnished in Exhibits 32.1 and 32.2 shall not be deemed “filed” for purposes of Section 18 of the Securities Exchange Act of 1934, as amended (the “Exchange Act”), or otherwise subject to the liabilities of that section, nor shall it be deemed incorporated by reference in any filing under the Securities Act of 1933, as amended, or the Exchange Act, regardless of any general incorporation language in such filing.
     (b) Reports on Form 8-K
          None

 


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SIGNATURES
     Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned, there unto duly authorized.
             
    MILLS MUSIC TRUST                   
 
                (Registrant)    
 
           
Date: December 1, 2009
  By:   /s/ Frank Godino
 
HSBC Bank USA, NA
   
 
      Corporate Trustee